[Harlem, New York: New Lafayette Theatre, 1972]. Original broadside, screen-printed in colors on gold foil, 11" x 8-1/2". Faint old folds; slight wear to extremities, still complete and unfaded, Very Good or better and very scarce. This fragile and rather striking theatrical broadside announces the premiere of Bullins' 1972 experimental..... More

Wien: Galerie Phoenix, [1979]. First Edition. First printing. Oblong quarto (27.5 x 31cm.); printed flexible boards, natural tan color; [46pp]. A gallery book for Austrain painter Eduard Angeli; contains introductory text and biographical information (in German), and 17 color illustrated plates (unpaginated). Institutional stickers remain on first and final pages..... More

London: T. Cook, 1806. Later Edition. The complete series, plates I-X uncut as issued. These are the Thomas Cook re-engravings, ca. 1806. Plate marks 21-1/4" x 14" on 24" x 17" sheets; printed on heavy wove paper. Occasional shallow chipping, soiling, & foxing to extremities; images fresh and unfoxed; Very..... More

New York: George Braziller, 1967. First Revised Edition. Quarto (27cm); red publisher's cloth, stamped in gilt on spine, in white pictorial dustwrapper; xix,111pp. Boards and dustwrapper have mild shelf wear, with some soiling and rubbing (especially to extremities); top edge creased and slightly rolled, inner flap price-clipped; textblock clean and..... More

London: [Corporation of London Art Gallery], 1895. Edition not stated. A directory of loaned artworks on exhibition at the Corporation of London Art Gallery, from April 23 to July 21, 1895. While the book does not contain pictures, each piece (and artist) is described to detail, along with the identity..... More

London: Tauris-Parke, 1992. First English Language Edition. First English language printing; originally published as "Images de Femmes" (Plon, 1992). Quarto (28.5cm.); black publisher's cloth boards with color pictorial dust jacket detailing "The Red Fish" by Klimt (1901-02); 189pp. Text block has yellowed along margins, otherwise clear and sound; Near Fine..... More

[Original Manuscript: 1930]. Glintenkamp, along with his friend and contemporary Stuart Davis, was among the foremost disciples of Robert Henri, and inherited some of his mentor's Ashcan mannerisms; but he is perhaps best remembered as one of the original artists of the New York socialist/bohemian magazine The Masses, where his..... More

[Düsseldorf: 1932]. Original linocut on India paper. Sheet size 41cm x 31cm; image area 38cm x 24cm. Signed and dated below image. In hinged gallery mat. Title taken from exhibition catalog (see ref. below). A strong, clean impression from Kralik's "Werktätige" ("Working") series, an homage to working-class Germans at the..... More

ca 1930-35. An evocative New York waterfront scene, typical of Groth's social-realist work of the Depression era. Though best remembered as a wartime sketch-artist and book illustrator (he produced a number of titles for The Limited Editions Club, including the widely-praised LEC edition of Erich Maria Remarque's All Quiet on..... More

ca 1930-35. An evocative New York street scene, typical of Groth's social-realist work of the Depression era. Though best remembered as a wartime sketch-artist and book illustrator (he produced a number of titles for The Limited Editions Club, including the widely-praised LEC edition of Erich Maria Remarque's All Quiet on..... More

London: Thomas Gibson Fine Art Ltd, [1991]. First Edition. Slim octavo (21cm.); original grey pictorial card wrappers, French flaps; unpaged; chiefly illus. Just About Fine. Inscribed and signed on title page: "For Benedict / with love from / Michael / Oct '97." Exhibition catalog of portraits inspired by various Old..... More

[New Orleans: ca 1940s]. Edition of 100. Original etching. Sheet size 9-1/2" x 7"; plate size 7" x 5"; pencil signed lower right, with title and limitation at left and center. In contemporary hinged gallery mat. Etching in fine condition; mild toning and edgewear to mat. Loving (1908-1973) became something..... More

[Istanbul?]: Maarif Vekilligi, 1939. First Edition. Folio (36cm.); original cream decorative wrappers lettered in black and gilt, yapp edges; 123pp.; nine color plates mounted to brown stock, additional text illus. and photographs throughout. Wrapper extremities quite chipped and worn with some small paper flaws not approaching text; contents fine. About..... More