Paris: L'Assiette au Beurre, 1904. First Edition. Slim quarto (32cm); original pictorial wrappers, stapled; [16]pp; illus.; text is entirely in French. Light wear and dust-soil to wrappers, subtle toning to text edges; contents clean, complete, Very Good+. A well-preserved issue of this illustrated French satirical magazine with anarchist and anti-colonialist..... More

London: C. Arthur Pearson, (1939). First Edition. 12mo (19cm). Sewn, printed card wrappers; 44pp; illus. Mild toning to wrappers, else a tight, Near Fine copy, very well-preserved. A collection of satirical poems on the War, accompanied with humorous drawings by Edgar Norfield. More

[Barcelona, n.d. ca 1930]. Broadside auca, 62cm x 43cm; printed in black on pale green coated paper. Story in 24 cartoon panels with printed captions in both Spanish and Catalán. Old folds, with mild toning at folds and margins; Very Good or better. A great example of the satirical auca..... More

Chicago: Thompson & Thomas, N.d. [1906]. Undated reprint (ca 1906); originally published Phila: 1894. Octavo. Pictorial cloth; 329pp; illus. Mild bumps to board corners; spine leaning slightly, still a bright, Very Good or better copy with color stamping to cloth still vivid and legible. An attractive copy of a book..... More

[New York]: Quip Publishing, 1924. First Edition. Bleiler-listed pastiche of humorous fantasy vignettes featuring the title character, clearly modeled on the eponymous fictional character invented by Rudolf Erich Raspe in his 18th-century fantasy Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia. Brandeis was a long-time attending physician..... More

London: T. Cook, 1806. Later Edition. The complete series, plates I-X uncut as issued. These are the Thomas Cook re-engravings, ca. 1806. Plate marks 21-1/4" x 14" on 24" x 17" sheets; printed on heavy wove paper. Occasional shallow chipping, soiling, & foxing to extremities; images fresh and unfoxed; Very..... More

Boston: Houghton Mifflin Company, 1956. First Edition. Compilation of women-related cartoons culled from major American periodicals. Grouped into chapters by subject ("Fashion and Beauty," "Love, Sex, and the Pursuit of the Male," etc.) Includes works by Currier & Ives, William Steig, James Thurber, and Art Young, among many others. Large..... More

Washington DC: CIO Political Action Committee, 1952. Tabloid bifolium, printed on first and final pages only. Original mailing folds, else Fine. Campaign sheet from the CIO, endorsing and promoting Adlai Stevenson for President, poking fun at Eisenhower and the Republicans. Includes two political cartoons, one by Herblock, another by labor..... More

New York: Communist Party USA - National Black Liberation Commission, ca.1970. A late and rather uncommon Gellert poster. Published under the auspices of the CPUSA, probably ca.1970, but the image is taken from Gellert's 1936 portfolio "Aesop Said So." We find 4 copies in OCLC (LC, Penn State, NY State..... More

[White Plains, NY: Hugo Gellert, 1933]. Widely acknowledged as Gellert's masterpiece, and certainly his most-reproduced body of work, marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression, the portfolio, limited to 133 numbered and signed sets, is also..... More

[White Plains, NY: Hugo Gellert, 1933]. Widely acknowledged as Gellert's masterpiece, and certainly his most-reproduced body of work, marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression, the portfolio, limited to 133 numbered and signed sets, is also..... More

[White Plains, NY: Hugo Gellert, 1933]. Widely acknowledged as Gellert's masterpiece, and certainly his most-reproduced body of work, marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression, the portfolio, limited to 133 numbered and signed sets, is also..... More

[White Plains, NY: Hugo Gellert, 1933]. Widely acknowledged as Gellert's masterpiece, and certainly his most-reproduced body of work, marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression, the portfolio, limited to 133 numbered and signed sets, is also..... More